MAH

The Museum of Art and History, Geneva

no van no text (1).jpg

First opened in 1910, Le Musée d’art et d’histoire Genève (MAH) currently spans 7,000 sqm over five stories, housing an impressive collection of some 650,000 items ranging from archaeological artefact to Byzantine art and Classical antiquities to modern paintings. Now, under the helm of its recently appointed Director Marc-Olivier Wahler, the historical institution is launching a new programming strategy aiming at critically recontextualising and showcasing its collection. To mark this significant milestone, MAH has unveiled a new visual identity and announced expansion plans, leading on a major urban development project which will materialise as an inclusive and integrated museum campus at the heart of Geneva.

January 10, 2021

Zeyrek Çinili Hamam, Istanbul

Zeyrek Çinili Hamam, a historic Ottoman-era bathhouse in the heart of Istanbul, has undergone an extraordinary transformation, reopening after 500 years with a fresh, forward-thinking vision. Originally built between 1540 and 1546 by the renowned architect Mimar Sinan, the hamam now blends its rich cultural heritage with contemporary art and innovation. Following a meticulous 13-year restoration, Zeyrek Çinili Hamam has emerged as a unique cultural destination, housing a museum dedicated to the traditions of Turkish bathing alongside historical exhibitions and modern art installations. In addition to its immersive bathhouse experience, the hamam also serves as a vibrant platform for contemporary art, with a newly curated space for exhibitions and site-specific commissions. With this reopening, Zeyrek Çinili Hamam is solidifying its place as a modern cultural landmark, offering a rare opportunity to experience the fusion of past and present in one of Istanbul’s most historic districts.

January 31, 2025

Vuslat/Troy Museum

Exterior of The Troy Museum, Canakkale, Turkey. Photo Credit: Osman Çapalov

From 26 May to 25 July 2025, The Troy Museum presents Emanet/Troy, a solo exhibition by Turkish multidisciplinary artist Vuslat, curated by Paolo Colombo.

Set within the archaeological site of Troy, the exhibition continues Vuslat’s exploration of emanet—a concept rooted in care, trust and responsibility. Sculptures, drawings, and a sound installation engage with the site’s mythic past, weaving together oral tradition, natural forms and material memory.

At its centre, a folk tale told in the artist’s voice echoes from within ceramic vessels, recalling the role of storytelling in the preservation of place and history.

March 13, 2025

Galerist,Istanbul

Photographer:Baris Ozcetin | Copyright: Cinar Yayin Holding, courtesy of Galerist

Founded in 2001, Galerist is one of Istanbul’s leading contemporary art galleries, renowned for its commitment to fostering emerging and established artists from Türkiye and beyond. With a keen eye for innovation and cultural dialogue, the gallery has played a pivotal role in shaping the country’s contemporary art scene, offering a platform for artists whose work pushes boundaries and engages with global discourses. Located in the historic Tepebaşı district, Galerist presents a dynamic exhibition program spanning painting, sculpture, photography, and new media, while also participating in international art fairs and collaborations. More than just a gallery, it serves as a cultural hub, bridging local artistic narratives with international perspectives, and continuously redefining the role of contemporary art in Türkiye and beyond.

March 12, 2025

Fondation Opale

Photographer: Thomas Jantscher

Located in the Swiss Alps, Fondation Opale is Europe’s only contemporary art centre dedicated exclusively to Australian Aboriginal art. Established in 2018 by Bérengère Primat, the foundation houses one of the continent’s most significant collections and is committed to fostering dialogue between Aboriginal practices and global contemporary culture. With a curatorial vision rooted in respect for ancestral knowledge and connection to land, Fondation Opale challenges Eurocentric narratives and broadens perspectives on art, identity, and belonging. Through its programme, the foundation continues to position Aboriginal art as a vital and evolving force within the international cultural landscape.

April 13, 2025

Past Projects

Alserkal Initiatives

Paula Valero Comin: Herbier Resistant Rosa Luxemburg and Manifestation Végétale. Photo courtesy Alserkal Initiatives and Cite internationale des art

In collaboration with Cité internationale des arts, Alserkal Initiatives presented the When Solidarity Is Not a Metaphor exhibition during the opening week of the 60th International Venice Biennale. Featuring a diverse line-up of artists and contributors, including Majd Abdel Hamid, Adelita Husni-Bey, Rehaf Al Batniji, Shada Safadi, and many more, each artist brought their unique perspective on solidarity, spanning geographical, cultural, and socio-political contexts.

Through a series of participatory convenings, performances, and experiential installations, the exhibition provided visitors with immersive opportunities to explore the multifaceted nature of solidarity in our contemporary world.

By transcending theoretical boundaries and offering tangible experiences, the exhibition aimed to redefine the very essence of solidarity, inviting participants to engage deeply with its complexities and possibilities.

21 April, 2024

Gazelli Art House

Founded in 2010 by Mila Askarova, Gazelli Art House brings a fresh perspective to Mayfair. The gallery champions artists from across the globe with a focus on those at the height of their practice, presenting and contextualising their work to new audiences. 

With galleries in London and Baku, Gazelli Art House has a specialist focus in promoting art from Azerbaijan and neighbouring countries to further a greater understanding of the rich linguistic, religious, and historic ties that connect the region. 

Since 2015, the gallery has expanded to support artists working in the realm of digital art through its online platform Gazell.io. In 2020, it established the Gazell.io Project Space and VR library, the first permanent home dedicated to digital art in Mayfair. 

15 August, 2021

Daata

Mary Reid Kelley and Patrick Kelley, In The Body of The Sturgeon, 2017 HD Video. Courtesy of the artist and Pilar Corrias Gallery

Founded in 2015 by David Gryn, Daata is the leading platform for digital artworks. Daata commissions original, digital artworks by established and emerging artists, allowing you to stream or download high-quality digital artworks on any device. Through Daata Artist Commissions, Galleries at Daata and Daata Fair, Daata offers hundreds of artworks by an ever-growing portfolio of contemporary artists.

Daata Fair is the first international online art fair dedicated to artist video. Launched in October 2020, it is a concise fair, hosting a limited number of galleries in order to afford the presented artworks the intimate attention they deserve.

February 25, 2021

Albion Fields

Albion Fields © Jonty Wilde

Albion Fields is a sculpture park set within 50 acres of Oxfordshire countryside, parts of which have been rewilded - restored to their natural, uncultivated state. The grounds provide unique installation sites for artworks, spanning from open vistas to secluded woodland areas and positions beside a natural lake.

In July 2021, Albion Barn unveils its inaugural Albion Fields exhibition in collaboration with Goodman, Marian Goodman, König and Lisson Gallery, presenting works by twenty-six major international artists including contemporary artists including Ai Weiwei, Adel Abdessemed, Vito Acconci, Ghada Amer, Kader Attia, David Adjaye, James Capper, Claudia Comte, Wim Delvoye, Ryan Gander, Douglas Gordon, Jeppe Hein, Bernar Venet, Alicja Kwade, Ghada Amer, Richard Long, John Pawson, Sarah Peters, James Turrell, Cristina Iglesias, Daniel Burren, Joana Vasconcelos, Xavier Veilhan, Eva Rothschild, Richard Woods, Erwin Wurm and Rachel Whiteread.

June 3, 2021

Gate 27

Gate 27 is an international residency program that aims to facilitate the research and production processes of different practices and to provide a platform for interdisciplinary interaction. Established in 2019, Gate 27 organizes public programs and events that develop communication among local and international artists, academics and cultural actors in order to enable new collaborations. Treating art as a research method, the organisation invites residents to partake in discourses in relation to ecology, sustainability, accessibility and local creative networks.

15 January, 2021

Frieze

Photo: Tom Jamieson

Photo: Tom Jamieson

Social Work was an invitational section of Frieze London 2018 which featured eight monographic presentations by women artists whose work emerged in response to the global social and political schisms of the 1980s and ’90s. Social Work paid homage to a selection of artists who challenged the status quo and explored the possibilities of political activism in their art making.  Including both established and lesser-known feminist artists the section highlighted the role that galleries have played in their support of women artists whose work may not have been easily assimilated into the mainstream. 

June 5, 2018

Stephen Friedman Gallery

Deborah Roberts, Political Lambs in a Wolf’s World (2018).  Photo Robert Beam

Deborah Roberts, Political Lambs in a Wolf’s World (2018). Photo Robert Beam

 

Curated by the pioneering British artist Yinka Shonibore MBE, presented by Stephen Friedman Gallery, Talisman in the Age of Difference  explored the ideas of magic and subversive beauty in works by forty six artists of African origin and across the diaspora and artists who empathise with the spirit of African resistance and representation. Presenting an eclectic and surprising range of works, the exhibition included painting, sculpture, drawing and other objects from the early twentieth century to the present day. As with his own practice, Shonibare selected artists who make provocative work that consciously belies a subversive and political message and does not necessarily conform to a western vision of art. 

May 4, 2018

DAU

DAU-9-2-main_1591608975.png

Initially planned as a feature film, DAU began shooting in April 2007 and soon turned into a unique, epic, multidisciplinary, and ever-changing project created by Russian director Ilya Khrzhanovsky along with Sergei Adonyev. The project combines film, science, performance, spirituality, social and artistic experimentation, literature and architecture. Part of Dau himself was played by the eminent musician Teodor Currentzis. In January 2019, in Paris, the DAU project was presented at the Théâtre de la Ville and the  Théâtre du Châtelet. Visitors were only granted entry after they  had requested and had obtained a visa, and had left their mobiles and connections to the outside world at the cloakroom. At the Centre Pompidou, a Soviet apartment was recreated, where scientists from the Institute would live 24 hours a day, 7 days a week for the duration of the installation. 

November 2018